God, I’m a sucker for Martin Amis’s writing. I’ve only read three of his books, admittedly, but each one is packed full of a humour and easy wit that seems utterly effortless; The Rachel Papers immediately brought back memories of Money, though with a much more likeable protagonist this time around (well, in the sense that it’s easy to admire his youthful naivety – he’s a bit less tragic than Money‘s John Self). I bought this book for my sister initially as it looked like a good, tight read, and it went down well (naturally, she read it in about a day – if you can find a quicker reader than my sister Lou I’ll eat my hat). Spoilers below!
The Rachel Papers is the junior Amis’s debut, published when he was 24. It’s a young age to begin a literary career, but I’m sure his surname helped to open a few doors. I don’t want to imply that nepotism had too much of a hand, mind – Amis Jr. is an extremely talented writer in his own right. It’s interesting that the older Martin now deplores the style of his debut, though he admires the writing, and it’s easy to see why.
The plot follows 19-year-old Charles Highway, a man who is cultured, intelligent, and a bit of a prick, obsessed with women and sex. As the title might suggest, he is rereading his diary as the book progresses – a diary that documents the time in his life when he was about to turn 20 and pursuing a woman named Rachel. It’s supposedly autobiographical, which is an interesting way of reading it, as I couldn’t help reading Charles’s description of his relationship with his dad as Martin’s relationship with Kingsley (not that it was particularly descriptive). It seemed typical of one of those ‘privileged white boy’ autobiographical plots you see in a lot of modern literature, following the trials and tribulations of how a bright but lazy man can get into Oxford. Oh, first world problems…
It’s not really told in a chronological order but rather by way of the diary entries, with Charles commenting and reflecting on the particular excerpts he’s reading. There isn’t a lot of plot, either, with the story choosing to focus on the way Charles’s and Rachel’s relationship begins, then ends. Charles very naturally loses interest in Rachel, not for any particular reason – my sister Lou was fond of this realism, but I found it almost painful to read (in that it’s all too characteristic of how young, flaky men behave, I suppose). The compact nature of the novel suits the lack of plot – you don’t leave it wanting, nor does it feel dragged out, so it’s commendable for that alone (and maybe has a one-up on Money for that).
The blurb was obviously written by someone who’s never read it. Take a look:
Charles Highway, a precociously intelligent and highly sexed teenager, is determined to sleep with an older woman before he turns twenty. Rachel fits the bill perfectly and Charles plans his seduction meticulously, sets the scene with infinite care – but it doesn’t come off quite as Charles expects…
Let’s break it down, shall we?
Charles Highway, a precociously intelligent and highly sexed teenager, is determined to sleep with an older woman before he turns twenty.
Well, no. He’s not particularly interested in sleeping with someone older. He does mention it in passing to a friend, at one point, and is quickly discouraged.
Rachel fits the bill perfectly
Eh? Does she? Even if he DID have particular interest in sleeping with someone older, Rachel has only got one month on him, and his reasons for pursuing her are far from how old she is – though again, once she turns 20, he does note, internally, very casually, that he got his older conquest after all. But again, this is hardly a plot point – you might as well put on the blurb that he looked at a blue teapot once, for all the narrative attention it gets.
Charles plans his seduction meticulously, sets the scene with infinite care – but it doesn’t come off quite as Charles expects…
What scene is carefully planned and doesn’t come off as he expects? He manages to sleep with her successfully time and time again; indeed she pretty much falls in love with him and HE ditches HER well before he turns 20. I feel like this blurb is suggesting there’s some kind of comedy scenario in the pipeline, but pushing aside any bullshitty metaphorical ‘scene’ you could argue for, this blurb is total nonsense. It reminds me a little bit of clickbait. What’s the literary version? Litbait? I can see the headline now: ‘Charles wants to seduce Rachel – you won’t BELIEVE what happened next!’
So – a respectable four stars on the old Goodreads. Disregard the blurb and check it out for what it is – it doesn’t disappoint.
[Coming next – Us by David Nicholls]